Formations: Journal of Art History & Visual Culture is committed to thinking about the history, practice, and theory of art history and visual culture as constantly up for debate, critical scrutiny, and redefinition. Thus, as implied in its title, it understands the study of art and visual culture to be in the process of perpetual formation. The journal’s mission is to provide a platform for innovative research in the field of art history and visual culture from the past to the present day. We are dedicated to highlighting new voices and perspectives on both familiar and yet unexplored issues in art. More specifically, we are interested in new voices and perspectives that dare to question existing narratives or rectify issues in the practice of art and art history. In engaging these perspectives, we look to spotlight conversations that shape the interpretation of art history and visual culture moving forward.
Formations: Journal of Art History & Visual Culture is a scholarly and open-access journal founded and edited by doctoral students in the School of Art History at the University of St Andrews. The journal welcomes contributions from graduate students, early career, and established scholars. These contributions can include, but are not limited to, scholarly essays, translations, interviews, and book reviews. Through a rigorous double-blind, peer review process, the journal seeks to maintain the highest standards of academic research. Founded as Inferno in 1994 and published as the St Andrews Journal of Art History and Museum Studies from 2009-2013, and subsequently, as North Street Review in 2014, the journal was relaunched in 2021 to accommodate new areas of concern and interest in art historical scholarship from across the globe.
Publisher
This journal is published by:
School of Art History University of St Andrews 79 North Street St Andrews Fife KY16 9AL
School of Art History, University of St Andrews
Publication Frequency
Formations: Journal of Art History & Visual Culture is published annually.
Open Access
The Journal supports Open Access to scholarly work and applies the Creative Commons CC BY-NC license to ensure access and free use for the widest possible audience. This agreement means that copyright in the Work remains with the Author and readers have the right to reuse the article provided proper attribution is given and the use is non-commercial.
Third party content
Where possible, third-party content has been cleared for use under the Creative Commons Attribution-Non Commercial [BY-NC] Licence. In some cases, content is included in Works that are available under a different license, or with All Rights Reserved. If in doubt, users should ask for permissions prior to re-using any third party content contained in North Street Review: Arts and Visual Culture.
Privacy and Consent Policy
The data collected from registered and non-registered users of this journal falls within the scope of the standard functioning of peer-reviewed journals. It includes information that makes communication possible for the editorial process; it is used to inform readers about the authorship and editing of content; it enables collecting aggregated data on readership behaviours, as well as tracking geopolitical and social elements of scholarly communication.
This journal’s editorial team uses this data to guide its work in publishing and improving this journal. Data that will assist in developing this journal platform (Open Journal Systems – OJS) may be shared with its developer Public Knowledge Project (PKP) in an anonymized and aggregated form, with appropriate exceptions such as article metrics. The data will not be sold by this journal or PKP nor will it be used for purposes other than those stated here.
Registered Users
Users who register with this journal, including authors and peer reviewers where applicable, consent to having their personal information stored in the University’s journal hosting platform (OJS) and processed by the platform and journal editorial teams. Authors published in this journal are also responsible for the human subject data that figures in the research reported in the journal.
Those involved in editing this journal seek to be compliant with industry standards for data privacy, including the European Union’s General Data Protection Regulation (GDPR) provision for “data subject rights” that include (a) breach notification; (b) right of access; (c) the right to be forgotten; (d) data portability; and (e) privacy by design. The GDPR also allows for the recognition of “the public interest in the availability of the data,” which has a particular saliency for those involved in maintaining, with the greatest integrity possible, the public record of scholarly publishing.
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